Clue
something
The project sign of something is a reflection about the elements that tend to notice the presence of the painting, and is therefore on the surface of the walls in buildings of architectural spaces and some things or objects, this can be understood as a bodily gesture of painting materials that are structured to determine the structure and appearance of a building like that end up creating an illusion from the representation of some graphs, in other words the reason for the pictorial is given by the sampling of pigments underlying things and give an appearance; is through an act of generosity that can identify and sort these signals under a visual possibility. "On the edges of holes displaced material protruding from the surface:" (1)
Certain architectural spaces embody over time a layer of pigment that flaunt the appearance of places, the painting appears in layers incorporated a somewhat cloistered himself in the essence of the surface of the walls, rearranging and over again, which may be a number of successive renovations that are changing the way leather coatings, which in turn give a new look the walls of buildings, as of things.
Therefore, an image is constructed in the order of painting, from confrontation of a real object referred to in this particular case to a frame, which adds to the architectural space, in conjunction with the pictorial material given on the condition of the wall itself as the object. To inquire about the condition of one as the other, from a process of exploration and recovery of a single track in the layers of paint, found in a wall, so, in summary it is proposed that an entire act with intent from the pictorial, in evidence to the reality
(1) HESS, Barbara. LUCIO FONTANA. Taschen. 2006
something
The project sign of something is a reflection about the elements that tend to notice the presence of the painting, and is therefore on the surface of the walls in buildings of architectural spaces and some things or objects, this can be understood as a bodily gesture of painting materials that are structured to determine the structure and appearance of a building like that end up creating an illusion from the representation of some graphs, in other words the reason for the pictorial is given by the sampling of pigments underlying things and give an appearance; is through an act of generosity that can identify and sort these signals under a visual possibility. "On the edges of holes displaced material protruding from the surface:" (1)
Certain architectural spaces embody over time a layer of pigment that flaunt the appearance of places, the painting appears in layers incorporated a somewhat cloistered himself in the essence of the surface of the walls, rearranging and over again, which may be a number of successive renovations that are changing the way leather coatings, which in turn give a new look the walls of buildings, as of things.
Therefore, an image is constructed in the order of painting, from confrontation of a real object referred to in this particular case to a frame, which adds to the architectural space, in conjunction with the pictorial material given on the condition of the wall itself as the object. To inquire about the condition of one as the other, from a process of exploration and recovery of a single track in the layers of paint, found in a wall, so, in summary it is proposed that an entire act with intent from the pictorial, in evidence to the reality
(1) HESS, Barbara. LUCIO FONTANA. Taschen. 2006
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