mechanical device Photography is a medium par excellence allows us to understand and comprehend these visual events are present as elements of representation, through a machine desire, that closes a device for instants of time, capturing an image, what the eye is somehow trying to stop his eyes with a glance. It is a shift or extension in the internal expansion of the proper time of the virtual, that assesses and anticipates a moment of how image.
photography, uses multiple media copies that are articulated as instigating the different meanings that must face the reality, producing an effect that is inserted into the memory notional discontinuity of discourses, "has the paradoxical effect of concealing the reality that is both sign and product. To hide, to mask this reality or distort its meaning ... "(1). The positions of the visual experience instants of time, in the sum of parts of a whole, as a real possibility in the invention as the materialization of the idea - image. Underlying
as an event in the photograph becomes the device that detonates on image to reveal the bodies outside and veiled in the eyes and tears that burst internally, positioning it to prevail that appears, appears or is . "He constantly expels what it is, what he feels, what it means in their own eyes. Is through language that has function of exorcism, or by all the technical devices he has invented, in an irreversible process of transfer and substitution "(2). These bodies indeterminate acquire spectra exposed as a presence which can not ignore its consistency, ie that there is a manifestation of another, making visible the resolution and the substance of the bodies.
PULSION, CEILING is a way to give body or field event in architecture from conventional aspects of photography as a way of articulating the picture as a collage or montage that interacts with the space is located.
Images are articulated as mobile devices or mechanisms that precipitate at a constant oscillation photographs. Each photographic image, or board holds an edge trigger unstable in each part of the whole configurational indeterminate movement and why not, seismic.
(1) Rosalind Krauss, The Photography of a theory of displacement. Gustavo Gili.
2002 (2) BAUDRILLAR Jean, the perfect crime. Anagram, 1996
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