Thursday, March 6, 2008

Text Something Cute To A Guy

a reflection, discontinuous










A Reflection, discontinuous

Thinking in mobility today is contemporary art events, it becomes visible as a manifestation of the tradition from refuses to follow from his own immanence intricate front and to the things that are permissible in essence. Perhaps, because, as every act of repetition, establishes itself in certain contexts orientation coordinates, ie as a means of expression that responds from the serial and it continued to find multiple repetition and circulation patterns to events.

Therefore, this means that in each of the daily events necessarily continuously activated and reflexes that despite being involuntary or unconscious arise in response to an impulse of self and things. Nature, active at every instant of time and space, revealing its cyclical aspect, but suddenly bursts and rolls to create a new archetype of reproduction.

practices in contemporary graphics, the presence of the particular work has entered a game where your name as they have expanded their dependability, challenging and critically extended a reality that is tipped to be understood from the act itself. "The future near the engraving will be an illustration of the discourse of history to become a resort representative reproduction "(1); events like the pulse of the contemporary way to register a map, so that by unveiling a something, Support comes up with a reflex, a stimulus, an unfathomable impression that accounts for a course. Then, no solution is found, is that it is another way to permeate the links to things, people and contexts.

The shadow is the essence inseparable from the body, as in any act reveals their presence, the shadow is an achromatic movement that explores a way to replicate their own stamp. The body is hidden, the shadow mask expands to the delusion of vital act as a stamp of the corporeal. The mobility of the shadow diluted his beloved object stability.

1. PASTOR, Mellado Fair's challenge Recorded: Potential New Practices page. 31. In San Juan Poly / Graphic Triennial: Latin America and the Caribbean.

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